Відео

You should be ashamed of your self for exploiting information.you.and.trash varrianno must have teemed up..bet on it...

You should be ashamed of your self for exploiting information.from..a.complaint..you and .trash varrianno must have teemed up..bet on it.. Your not an artist zero talent ...your.an.exploiter...just being.honest .with you .you will.work.forever.and.never.come up.with one.orignal thought .

You should be ashamed of your self for exploiting information.you.and.trash varrianno must have teemed up..bet on it.

Excellent. And a truly great artist.

Ah, but they are walking across 22 different bridges. (Minimum... !)

Silverman and Dinnerstein, two terrific painters.

Interesting how large flat tonal premixed pallets were chopped up and fit into a lid

I wish i could go there 😭❤

🤤🤤🤤

𝘪𝘴 𝘳𝘰𝘣𝘪𝘯 𝘢 𝘣𝘰𝘺 𝘰𝘳 𝘢 𝘨𝘪𝘳𝘭

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Thanks. You would have to be highly intelligent to make such a statement.🧑‍🎨♾️👨‍🎓

This was amazing, so much information. I have identified a little with her and admired her immensely for years🧡 I learned about Leonor Fini while in art school in 2008. I actually presented a study I did on her for my art history class. :) And in a folder somewhere, I have a big charcoal and white portrait of Ms. Fini that I drew ages back. Sending my thanks and respect to the presenter. Wish I could have been at this exhibition!

Wonderful work! I am a watercolorist and have a degree in art history, and was only familiar with about half of these artists. Kudos to Frederick Brosen from this lecture--and happy to see his own fine work as well.

This lecture had me in tears... What a tragic, but beautiful story... Truly human in the best possible way.

If anyone wants to no the song it's get money by Biggie

Stella was never ahead of Poons or anyone else. Frank Stella painted what was in his head for each day he worked as an artist. Everyone who works any kind of job does their best or gets through the day somehow getting whatever it is that needs taking care of. Artists are never in competition with anyone but themselves, and even that is an incredible challenge because the auto-critic is fierce and never ending and cruel and cutting; one must win over oneself in art.

This historical summary of male European artists known to have developed the 'modern European watercolour techniques' of painting would be more useful if the images projected were not mostly so washed out in the video as to be useless. A brief mention/reminder of "prehistoric" cave painting (also mostly water-based) and "oriental" water-based 'pigmented ink' painting on paper would have been polite. Fortunately the transcript allows one to get the notations necessary to research reproductions of these painters works that reproduce the images with more clarity.

Im a truck driver in Nebraska & while I Drive west on I80 I always see the robert henri sign post on the side of the road , it’s great to finally hear his story

How can I join you guys

How can I join you guys.

Thank you for this video! I've been researching and trying to understand the Prismatic Palette, but other explanations left me wondering more. Now I finally get it, and I learned a lot about seeing and understanding the landscape as well..

Such a wonderful subject and moving lecture. Thank you!

Wonderful! Thank you so much - love Jerry and his wisdom!

Poons was a nut job in 1973 when I had a critique class with him at Cooper Union. I did like the drippy rivers of paint he was working on then..

Love this!!! Thank you!

Please use gloves when you touch prints paper works and fragile diaries

Hello there, Hope you are well. I already visited and analyzed your UA-cam channel. Your content is really amazing. Your video making and quality is good. But there are some issues in your channel. There are some issues in your channel. If you give permission then I will show you the reasons for not ranking your video.

What is this shop called??

Not as interesting as it could have been. fun fact: they all think that they're better than the generations who preceded them.

I liked the scary prostitute tunnel / stock room in the back :p Art stores have the coolest stock rooms, Jim from Janoffs

Jerry is so amazing. We need his insight, reminders of what is important, guidance and encouragement.

It's crazy how you only become known when you pass on. I just found out about her art now.

How many contemporary artists miss this education as part of their art process.

I am dumbfounded by the opening statement of the speaker about the first masterpiece “The Potato Eaters” by Van Gogh. The speaker dismissively described this painting as one that “only a mother could love”, then spent the rest of the lecture praising Van Gogh’s letters to his brother Theo. I can’t understand why the lecturer failed to see the same spirit and inner self expressed by the same person through both the painting and his letters. Making such a dichotomous remarks concerning Van Gogh’s paintings and his letters shows, at least to me, that the speaker’s opinions about Van Gogh’s art and his life are not completely honest.

It's all been said below... absolutely fantastic information. Thank you. For a long time I've listened to the argument that oil paints are better than acrylics without much concrete evidence as to why. For sure they are favoured by traditional collectors and many gallerists and of course by many painters. I've used oils, I love them, they are selubrious, soft and sensual to work with. Their slow drying time gives ample time for working, grading, blending etc and they can be use in so many different ways. Beyond that it's hard to argue that anything looks better when oxidised/dry than oils. I work very hard with acrylics using all kinds of mediums to get an oil like finish, but it's work. For the most part I've used acrylics because they are convenient and with water as the solvent they are very safe and easy to use and clean up after use. They dry fast, en plein air paintings are easily transported, you can work over and over and make adaptions and 'corrections' very quickly. Anyhow, today watching your marvelous video I heard for the first time arguments that make good sense as to the unique qualities of oil and helped me understand why they are the medium of choice for so many artists. In particular the fact that oils carry more pigement than any other liquid medium. It now makes perfect sense as to why they are so vibrant and colour dense. I've forwarded this to my art family. Once again than you!

Albrecht Dürer is missing imo

ADDRESS?!

Store name 🤩bth i wish i lived here

WHEREE

Jerry is great, he represents some parts of the art world that wants to understand art his way, and admits he is not the only way, he is trying to say he could be wrong and could be right, and for someone who has never studied art could understand art just as well as anyone in the industry. Like a boxer in the ring, he has a natural talent for the game in the industry just like any other art, sport, or career, he happens to deliver his intelligence towards the art industry because he enjoys the system even if he makes no profit from it… hence well respected for his passion and talent in the industry, talk the talk but also love the jargon that goes with it, including conceptual philosophy. He would be just as good if he became a medical doctor or an astronaut etc! He is brave and intelligently humble with it, he agrees that he could be wrong…If I may add that, wouldn’t it be even greater if he doesn’t have to put himself down at times, but humble in a way that he has all the knowledge and integrity to own his knowledge without excusing himself or that he could be wrong in his opinion or trend in the art world as an art critic, hence he received the prize award, he chose to be in the profession and enjoying it despite its flaws, contradictions, and confusions in the art industry...hence his explanation are valid as we embrace him with open arms…

Dude saw u like 2 times, then 2day saw u demo on ArtSchool Live... Good job and luv'd ur sketch out drawing out style. From ur palette ,to ur sketch out, & ur color...

Awesome 👏👏😊

Thank you! I have not made art in many years but am determined to begin again because of , well for many reasons, but using my voice is primary. I am always making something. I am weird and I would rather be in a workshop than a normal house. The other day I realized that I had lived in a culture that was ideal for "facing the headwinds" as you put it. Surrounded by about 250 artists, in Pilsen in Chicago. It was my heart. It was the only audience I cared about. Still is. So I am in the process of connecting with some of those artists and I'll see what I can do. Scary, but at 75 I would like to put my head and heart back in Pilsen, making art. I had to leave 24 years ago. Listening to you is like being there. Of course it's not the same now. But not having artists in my life is forever painful. Fellow weirdos, conversations like this. The constant question ¨Are you working?¨ You are absolutely right.

It may be a small shop but the artists it inspires? I'm sure it means the world to them.

As Jerry says, he's not an artist so don't listen to him. Stick to being true to ourselves in our communities and if we can't make a living through our work, find a side hustle.

Like you❤